| Disclaimer: Part of the contents/ideas appearing in
this section of the Player Guide have been referenced or partially repurposed from Ross
Jeffries' Speed Seduction® Web Site (free
newsletters), courseware products, or seminar recordings. If you find the
materials in this section useful, you may want to consider looking into Ross' products,
available for purchase from the Official Speed Seduction® Web Site. |
The way you deliver the patterns determines the difference between making her feel
wonderful deep inside or you sounding like a phoney or a pathetic clown reciting some
weird-sounding monologue or script. Presenting her with the text accomplishes you nothing, the words itself will not make
her feel anything. You have to be the text you deliver, you have to feel it with her, be
with her every step of the way… until the final eruption:) (Yes, women have been
reported to have orgasms simply by listening to patterns being delivered the right way:).
So memorising the patterns presented in this guide does nothing for you, unless you really
live out and not simply recite every word to her. The patterns that you can find on www.speed-seduction.com
or in this guide are mere examples of what pattern-talk is like, they are not spells that
make magic things happen just because they are mumbled out loud. You can certainly start
by memorising some patterns, but you will start having real success only when you'll be
able to make up a pattern on the fly about anything, that is exciting and close to heart
for that one specific girl you are talking to. It helps if you have a soft, low,
mesmerising and a slightly hypnotic voice, and if you don't… try to modulate your
voice to become as such while delivering your patterns:) (ASF:) "Using a low, seductive voice may seem unnatural at first, but you must
practice. Try tape recording your own voice so you get an idea of how you sound in
general. Then tape yourself reciting a scripted pattern. You'll hear how stilted and
unnatural it sounds. Now tape yourself while improvising that same pattern, but this time
work on making how you say the words sound soothing and, well, seductive. Don't worry
about screwing up the word order, just concentrate on HOW YOU SAY IT. Also - pause
mid-sentence to create a sense of anticipation and mystery." Adapted from Ross Jeffries' public seminar tanscript no 1: Ross: Some of you, your tonality, up until tonight sucked. It just sucks. You
need to practice. You've got to make a commitment to practice these skills. How many
people here walk? How many people here talk? How many people here can stand up? How many
people here are toilet trained? Keep your hand down, Bruce. Just teasing, ok. Do you think
those are all things that you acquired immediately? Did you pop out of the womb being able
to do it? You had to practice. You must practice these skills on a consistent basis. I
don't know why I have to continue to hammer on this point before you get it and
incorporate it. So let's work on controlling tonality, let's put your notes down. I dont
want to see anyone writing or holding notes, anyone with a pen in their hand will find
their gentile is shrinking. And some of you have no time to waste. How many of you know
what the vowels are? What are the vowels? Audience: A,E,I,O,U Ross: Wrong, here are the vowels. AAAA, EEEE, IIII, OOOO, UUUU. Those are the
vowels. So we're going to do an exercise. Put one hand on your chest so you can feel the
residence of your voice, take a deep breath, put your head back and say with me. AAAA,
EEEE, IIII, OOOO, UUUU. Welcome to the five hour orgasm. Ok. When you speak to a woman,
you should be speaking such that your voice resinates. When you practice these patterns
out loud, and you must practice every pattern OUT LOUD. Not in your head. Out loud,
because you're speaking these out loud. So, we must learn to control our tonality. Ok,
let's try another exercise. Let's pick a neutral word like watermelon. Ok. Let's all just
say watermelon. Audience: Watermelon Ross: Try it one more time Audience: Watermelon Ross: Ok, now. I want you to remember a time when you were angry, really pissed
off and say watermelon as if you were expressing that angry feeling. Ready? Audience: Watermelon Ross: Again Audience: Watermelon Ross: Alright, can you remember a time when you were curious? I want you to say
watermelon with a tonality of curiousity. Ready? Audience: Watermelon Ross: Watermelon, and now seductive and sexy. Say watermelon. Let's start with
this row, ok guys. Let's hear you do your watermelon seductive and sexy, are you ready? Audience: Watermelon Audience: Laughs Ross: Do you see what I mean? Look, ok, let's hear you say the words, seduce me,
let's hear you say seduce me. Audience: Seduce me Ross: Louder, put your hand on your chest, get the resident, no these guys only,
put your head back, take a deep breath and go, seduce me, make it resinate. Say it out
loud. Audience: Seduce me Ross: Better, a little louder. This is not observant. Do it. Seduce me, better,
ok, now do watermelon. Audience: Watermelon Ross: Suck it in like this and go watermelon. Audience: Watermelon Ross: He's got it. Nicky, come on in and have a seat. Ok, do you guys want to
try it? Let's hear it. Let's hear the sexiest watermelon in the world. Are we ready? Audience and Ross: Watermelon Ross: That's good. He's got it, go ahead, one more time. Audience: Watermelon Ross: Very good. Ok, all together, ready. 1, 2, 3, Audience and Ross: Watermelon Ross: If you guys need extra help on doing this you have my permission to call
two 900 numbers. I'm serious. Take them and listen to how these women speak. Ok, if
necessary, call a gay 900 number. Audience: Laughs Ross: I'm serious, I'm serious and listen to how they speak. Here's a good way
to make sure you say it right, get the feeling for yourself right here. And then as you're
speaking to the woman, the feeling that you want her to feel will guide your tonality. Do
you get that? So imagine the feeling that you want to feel right here and then allow that
feeling to guide your voice. So as the warmth of that voice just wraps itself around you
like a pair of legs around your neck, you'll know, really know, on the inside, just
exactly what's happening, you know. You must learn to control your tonality. I can't
emphasize this enough. It is the single biggest stumbling block. Some other ways to learn
to control your tonality. Get a dictionary. Pick out words at random and experiment saying
those words with the right tonality. Pick out loaded words like troop, love, seduction,
connection. Write these words down. Troop, love, seduction, connection, desire, lust,
absolutely fascinated. Ok. And work on saying these in the right tonality. I just cannot
emphasize this enough. Trying to learn this without getting master of your tonalities is
like trying to drive your car without gasoline. It's just not going to work. See also:
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