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Field Report: Cheap Thrills With A Candy Necklace

mASF post by parker011

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Field Report: Cheap Thrills With A Candy Necklace
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mASF post by "parker011"
posted on: mASF forum: Field Reports Discussion, July 7, 2005

On 7/25/05 12:31:00 PM, ox wrote:
>hi parker
>
>great fr bro. very
>detailed....
>
>i have a lot of practice with
>the "grab my ass opener". it
>didnt seem to work well with
>that girl. the way i do it is
>with tongue in cheek and it
>works 99 percent of the time.
>i say "well, i really liked
>it". "are you that desperate,
>look, i got some friends i can
>introduce you to"...playfully
>and with tongue incheek. it
>works.
>
>i see that you open with neg.
>i dont do that anymore. it
>comes accross as insulting and
>usually ends up with ejection.
>i deliver negs, later in the
>convo.
>
>"handshake" routine is great
>to jump into rapport convo.
>
>i like how you open multiple
>sets. still ejected too soon i
>guess, imho. it is difficult
>to judge only by the fr.
>
>great job. your game is up. i
>can see that. dont worry about
>lack of practice. it is easier
>to up it where it was before.
>
>peace,
>ox


I will definitely be experimenting with the You Grabbed My Ass routine. I have
used it before. I think with a 9+, acting offended is the way to go. It makes
a good complement to a previous DHV, to send you through the roof. But I think
with other HBs, it can be done playfully. I will be using it more frequently
and experimenting.

With respect to opening with a neg, I have got to say, it has worked in the
past and it even kind of worked in this FR. With a SHB it is how you stand
out. (I would not open with a neg on a girl below a 9.) It is one of the
basics IMO. My first neg is hard, then my second neg is soft.

But I think you have to tailor each approach to the situation, your
positioning, the girl, the music, etc. Whatever is comfortable for you is
best.

Parker.



Unless otherwise noted, this article is Copyright©2005 by "parker011" with implicit permission provided to FastSeduction.com for reproduction. Any other use is prohibited without the explicit permission of the original author.

 

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